Bateman, Harbour, and Cardellini are formidable, though. Bateman's typical dry humor is perfect for Clark's understated scumminess, and Harbour is wonderfully warm. I wish Cardellini got more to do (which she might in the last three episodes). For now, Carol toggles between Clark's view of her as his fantasy woman and Floyd's view of her as a sexless nag. Somehow, Cardellini finds a middle ground that helps Carol feel more her own person, but in the scheme of the whole love triangle, Carol remains the most unknown of the points.
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“If you took a satellite picture of the game world in 2005, you’d have essentially a complete province already,” Sultan of Rum said. “But the trouble was that the quality wasn’t good; there was no coherence. The 5 percent of the work to just create a landmass was done, but the management wasn’t there.”