夕阳的最后一抹余晖从碉楼的尖顶滑落，白天的游客如潮水般退去，把古镇归还给了它自己。沿江的骑楼长街亮起了暖黄色的、晕染开的灯光，倒映在墨色的潭江水中，随波光碎成点点金鳞，仿佛一条流淌着旧日黄金的星河。这条江，曾送走了一船船怀揣梦想的“华工”，也迎回了一箱箱建设家乡的侨汇。每一扇紧闭的雕花铁门背后，都可能封存着一部家族的辛酸往事或人生传奇；每一条门前的石板路，都曾目送离乡少年，也迎来归乡老者。
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“People feel like we’re living in this technological presentism and crazy amount of change,” Crawford said. “So, the ability to step back and say, ‘what have we learned over 500 years?’ [matters]. For me, [the mural] was a transformative project, because what was very clear is that history is not just about technical innovation. It’s about who has the power to set the rules that we will be living within.”